SOURCE → SIGNAL → CONTACT → PRESSURE → TRACE
See the route your seeing takes.
Both centre lines begin equal. Change the pressure around them, then reveal the measure. The visual does not merely decorate the law—it performs it.
IMAGE → TREATMENT → DIFFERENCE → EXPORT
Edit without losing the source.
The source stays recoverable while exposure, contrast, saturation, hue and blur travel as visible state—not destructive mystery.
CLIP → FRAME → TIMING → CAPTURE → STORY
Inspect motion before claiming the edit.
A bounded first video body: load a clip, change playback pressure, step through frames, treat the preview and send exact frames into the storyboard.
STILL → DIFFERENCE → PRESERVED RELATION → MOTION
Movement is connected difference.
This field uses repeated differences with preserved relation. Change speed, density and pull; the trace changes without the body losing itself.
AIM → SEPARATE → COMPOSE → GOVERN → OUTPUT
Form the visual before asking for it.
This is a prompt-forming body, not an image generator pretending to be connected. It separates subject, field, light, movement, framing and exclusions into a reusable governed visual brief.
FRAME → ORDER → MEANING → RECEIPT
Meaning travels through sequence.
Captured video frames, visual notes and prompt bodies land here. Reorder them, caption them and export the sequence without flattening the source of each frame.